| ADK A-48 | A dual large diaphragm variable-pattern microphone. It uses a valve (tube) impedance converter. | |
| ADK A-51 | The A-51 condenser microphone is designed for use in studios, concert halls, and broadcast applications. It has wide frequency respon... | |
| ADK A-51TC | The A-51TC features a large 1' diameter capsule. It is a single pattern (cardioid) tube microphone. The circuit design utilizes a sp... | |
| ADK Area 51 | A dual diaphragm top-of-the-line tube microphone. It is similar in electronic design to the A-51TC but nine switched polar patterns a... | |
| ADK Hamburg | A large diaphragm fixed cardioid microphone related to the Vienna but with a 1' 6 micron capsule. The diaphragm is centre-connected a... | |
| AKG C 2000 B | Extremely cost-effective recording microphone for home recording and project studios. | |
| AKG C 214 | A lower cost version of the C414 using a large diaphragm (1') back electret capsule. It is single-sided and fixed cardioid pattern. ... | |
| AKG C 414 B-ULS | The C 414B-ULS has a well-deserved reputation for flawless performance and uncommon flexibility in the most demanding studio and conc... | |
| AKG C 414 B-Xlii | The C 414B-XLii is a reworking of the legendary C414 preserving the sonic character and essential shape but adding an improved shock ... | |
| AKG C 414 B-XLS | The C 414B-XLS is a reworking of the legendary C414 preserving the sonic character and essential shape but adding an improved shock m... | |
| AKG Perception 100 | The Perception 100 is a rugged metal-bodied studio microphone. The large diaphragm capsule is a 25mm true condenser type and has a on... | |
| AKG Perception 200 | A large diaphragm studio microphone essentially identical to the Perception 100 but with a switchable bass cut and pad. | |
| AKG Perception 400 | The Perception 400 is a studio microphone with three selectable patterns. It is a large capsule (25mm) type with dual gold-sputtered ... | |
| Audio-Technica AE 2500-c | A revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kic... | |
| Audio-Technica AE 2500-d | A revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kic... | |
| Audio-Technica AE 3000 | A high SPL instrument microphone with a low-profile side-address design and tapered grille for optimal positioning. The large diaphra... | |
| Audio-Technica AT 2020 | An economically priced side-address studio microphone. It has wide dynamic range and high SPL handling and thus requires no pad or ga... | |
| Audio-Technica AT 2035 | A 'budget-friendly' studio microphone with a large diaphragm and a fixed cardioid pattern. The design uses a fixed-charge bakplate l... | |
| Audio-Technica AT 2050 | A 'budget friendly' studio microphone with a variable pattern. The large gold-vaporised dual diaphragm design can be switched to omni... | |
| Audio-Technica AT 3035 | A condenser microphone with a large diaphragm (26 mm) for exceptional detail and low noise. It has high max SPL, wide dynamic range a... | |
| Audio-Technica AT 3060 | A large-diaphragm tube design that does not need a dedicated power supply - it operates from 48V phantom power. The cardioid back-ele... | |
| Audio-Technica AT 3525 | The AT3525 offers outstanding performance and versatility, a flat frequency response, and high SPL handling capability. It features a... | |
| Audio-Technica AT 4033a/CL | The AT4033a/Cl is recommended for professional recording and critical applications in broadcast and live sound. Its symmetrical, tran... | |
| Audio-Technica AT 4040 | An externally-polarized (DC bias) true condenser design for professional recording and critical applications in broadcast and live so... | |
| Audio-Technica AT 4047/SV | Designed for professional recording and critical applications in broadcast and live sound, the AT4047/SV has a transformer-coupled ou... | |
| Audio-Technica AT 4050 | Superior performance for studio recording and live sound applications is provided by the AT4050's remarkable combination of warm, tra... | |
| Audio-Technica ATM 250 | A single capsule kick drum microphone using a dynamic element and capable of handling very high SPLs. The capsule uses a neodymium ma... | |
| Audio-Technica ATM 250DE-c | A kick-drum microphone with a dual element - a dynamic hypercardioid and an electret condenser cardioid. The capsules are available s... | |
| Audio-Technica ATM 250DE-d | A kick-drum microphone with a dual element - a dynamic hypercardioid and an electret condenser cardioid. The capsules are available s... | |
| Audix CX-111 | A true condenser microphone of classic design. The capsule is a 25mm gold-sputtered single diaphragm type. The housing is machined br... | |
| Audix CX-112 | A large (1.07') diaphragm studio microphone using an edge-terminated capsule. It has very low noise circuitry and a fixed cardioid pa... | |
| Audix CX-212 | A large diaphragm studio microphone with a 25mm capsule. The polar pattern is multi-pattern. | |
| Audix D-6 | A cardioid dynamic microphone for kick drum applications utilizing VLM technology. | |
| Behringer B1 | Designed with home-studio owners and musicians in mind, this 1' single diaphragm capsule microphone uses a transformerless output. | |
| Behringer B2 | A dual diaphragm design with a 1' capsule which can be selected to either an omni or a cardioid pattern. It uses a transformerless ou... | |
| Behringer C1 | A large diaphragm studio microphone with a flat response and ultra low-noise transformerless FET electronics. | |
| Berliner Microphones USA U7 | A large-diaphragm studio microphone with a fixed polar pattern. The capsule is a centre contact type with a 6-micron gold-evaporated ... | |
| Berliner Microphones USA U77 | A classic-styled studio microphone using a centre-contact large capsule - a dual diaphragm M7 replica. The impedance converter uses a... | |
| BeyerDynamic MC 840 | A compact large-diaphragm studio microphone with a variable polar pattern. It has gold vapour-coated double diaphragms and is based o... | |
| Blue Baby Bottle | Following in the footsteps of our acclaimed tube Bottle mic system, the Baby Bottle is truly a chip off the old block. Each and every... | |
| Bock Audio Bock 151 | The Bock 151 is a lower-priced version of the 251 microphone with a fixed cardioid pattern. A 'brite/normal' switch is added to allow... | |
| Bock Audio Bock 195 | A fixed pattern studio microphone with a large (25mm) diaphragm capsule - dual symmetrical backplate (K67 style). The electronics are... | |
| Bock Audio Bock 251 | A large diaphragm studio microphone that emulates a vintage '251'. The design uses a hand-wound multi-section transformer. This is ov... | |
| CAD Professional Microphones GXL 2200 | The GXL2200 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this micropho... | |
| CAD Professional Microphones GXL3000 | A large diaphragm multi-pattern studio microphone. The capsule is 1' gold vapour deposited. | |
| CAD Professional Microphones M177 | Using the latest computer modelling tools has resulted in a microphone that features the best of old world and new world technology a... | |
| Canford Audio CSM41 | This studio-grade, large diaphragm condenser features a 25mm gold sputtered diaphragm, balanced transformer output, and a machined br... | |
| Manley Laboratories CR-2001 | The LANGEVIN CR-2001 is Manley's entry model cardioid capacitor microphone, very handy for recording just about anything. The capsule... | |
| Manley Laboratories Langevin CR-3A | The Langevin CR-3A is a cardioid capacitor microphone suitable for all-purpose use in recording of music, vocals, and speech. Powered... | |
| Marshall Electronics MXL 1006 | The MXL 1006 has a cardioid polar pattern and solid-state preamp circuitry. It uses a balanced transistor output for maximum frequenc... | |
| Marshall Electronics MXL 2006 | A large diaphragm studio condenser microphone with Class A FET electronics and a transformerless output. The capsule is a 25mm type.<... | |
| Marshall Electronics MXL 909 | A 1' large diaphragm studio microphone with FET electronics. | |
| Marshall Electronics MXL DRK | A self-powered studio microphone for connection to PCs. The DRK-mac has an MXL Mic Boost interface. | |
| Marshall Electronics MXL M3 | The M3 is a large diaphragm studio microphone. The 25mm diaphragm is 6 micron gold-sputtered and the electronics are all-FET with a t... | |
| Marshall Electronics MXL V6 | A side-address studio microphone. The 'Silicon valve' design uses a FET electronics to emulate a valve-sound. The capsule is a 25mm 6... | |
| Marshall Electronics MXL V67 | Large (1') gold-sputtered diaphragm condenser, with FET preamp and balanced transformer output. Comes in a vintage design heavy-duty... | |
| Marshall Electronics MXL V67i | A version of the V67(G) large diaphragm studio microphone. This version has two switch selectable diaphragms with different character... | |
| Marshall Electronics MXL V69 | The MXL V69 is a classic large diaphragm Tube Microphone. Its classic sound enhances vocal and instrument performances. The extremely... | |
| Marshall Electronics MXL V76t | A large diaphragm studio microphone at an economical price. The capsule is a 25mm single diaphragm design. | |
| Marshall Electronics MXL V88 | A studio microphone with a large diaphragm capsule but a relatively short body. The capsule is a 32mm 6 micron gold sputtered type. T... | |
| M-Audio Luna | A single pattern cardioid condenser with a lollipop-style all-brass capsule. The diaphragm is 1.1' and gold evaporated. A tight toler... | |
| M-Audio Nova | An affordable large capsule cardioid condenser microphone. The 1.1' diaphragm is gold-evaporated and the capsule is machined brass. T... | |
| M-Audio Solaris | Similar in style and construction to the Luna it is a triple pattern lollipop-style condenser microphone. It uses a dual-diaphragm 1.... | |
| M-Audio Sputnik | A large-diaphragm studio microphone using vacuum tube electronics and a transformer output. The capsule is a dual diaphragm type to a... | |
| Microtech Gefell M 930 | The M 930 studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit tec... | |
| Microtech Gefell M 940 | A supercardioid version of the M 930 microphone. | |
| Milab VIP-50 | One of the most sophisticated vocal recording microphones ever made, this transformerless model offers variable patterns, 200/500Hz h... | |
| Mojave Audio MA 200 | A large diaphragm (1') studio microphone with a tube (valve) electronics. The capsule is a hand-selected 3 micron type and a JAN5840 ... | |
| Mojave Audio MA-201 fet | A large diaphragm studio microphone using FET electronics and a (Jensen) transformer output. The capsule is a 25mm design with a 3 mi... | |
| Nady SCM 1000 | True condenser design for exceptionally low self-noise, increased dynamic range and enhanced low and high end response. Perfect for s... | |
| Nady SCM 800 | A large diaphragm studio condenser microphone with FET electronics. | |
| Nady SCM 900 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | |
| Nady SCM 910 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | |
| Nady SCM 920 | Perfect for studio vocals, acoustic instruments, ambient instrument audio, and many live sound applications. Powerful and versatile, ... | |
| Nady SCM 950 | The SCM 950 is a large, pressure-gradient condenser with a gold-sputtered diaphragm and FET preamplifier. It has a transformerless ou... | |
| Nady SCM 960 | A large diaphragm (25mm) studio microphone with both omni and cardioid polar patterns. The output is transformerless and the impedanc... | |
| Nady SCM 980 | True condenser design for exceptionally low self-noise, increased dynamic range and enhanced low and high end response. Perfect for s... | |
| Nady TCM 1050 | The TCM1050 has a classic vintage look and the performance of a legendary vacuum tube microphone at low cost. It has 1' 3 micron diap... | |
| Nady TCM 1100 | A large diaphragm tube microphone with a vintage style. It uses a 1.1' 3 micron diaphragm and the classic 12AT7 vacuum tube together ... | |
| Nady TCM 1150 | The TCM1150 is a large-diaphragm (1') design with dual mylar diaphragms. The tube (valve) electronics are based on a 6072 (a low-nois... | |
| Neumann TLM 107 | Classic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: I... | |
| Neumann U 87 Ai | The U 87 is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual diaphragm capsul... | |
| Oktava MC 219 | The hugely popular Oktava MC219 is a fixed pattern cardioid microphone featuring a large diaphragm capsule teamed with low noise disc... | |
| Oktava MC 220 | The MC 220 is a multidirectional microphone for recording and broadcast use. | |
| Oktava MCL-319 | A single-pattern tube (valve) large-diaphragm studio condenser microphone. | |
| Oktava MK105 | A large diaphragm studio microphone that uses the same capsule as the MKL5000 but in a different housing. | |
| Oktava MKL4000 | The MKL4000 is a tube (valve) cardioid microphone for recording and broadcast use. | |
| Peluso 22 251 | A studio microphone styled on a vintage '251'. The large diaphragm capsule has dual diaphragms and nine polar patterns switched at th... | |
| Peluso P Stereo | A stereo design for studio use which emulates an SM-69. It can be run from its own supply or P48 phantom (with a slightly reduced max... | |
| Peluso P12 | A studio microphone inspired by the AKG C12. The dual diaphragm capsule is a 34mm edge-terminated type. The polar patterns is switcha... | |
| Peluso VTB | A large diaphragm studio microphone with a 'bottle' shape. The variable pattern (9 possible) can be disabled to give a fixed (single ... | |
| RODE Broadcaster | A fixed cardioid pattern microphone with a 1' transducer. It uses a JFET impedance converter with bipolar output buffer. The response... | |
| RODE NT1 | A large capsule (25mm) condenser microphone with a JFET impedance converter and bipolar output buffer. The diaphragm is gold-sputtere... | |
| RODE NT1000 | An externally polarised 1' pressure gradient condenser for studio use. It uses a closed-loop unity-gain impedance converter with JFET... | |
| RODE NT1-A | An improved version of the original NT1. It retains the large capsule (25mm) with its gold-sputtered diaphragm along with the interna... | |
| RODE NT2 | A multi-pattern large diaphragm condenser microphone with JFET impedance converter and bipolar output buffer. The dual gold-sputtered... | |
| RODE NT2-A | The NT2-A carries on the tradition forged by the now legendary RØDE NT2. A professional large 1" capsule studio microphon... | |
| RODE NTK | A Class A valve (tube) large diaphragm condenser microphone. The diaphragm is gold-sputtered and the capsule is internally shock-moun... | |
| Samson C01 | The C01 is a large diaphragm (19mm) side-address studio microphone for vocals and acoustic instruments. | |
| Samson C03 | A dual diaphragm studio condenser microphone with three switchable polar patterns. The capsule is 19mm diameter. | |
| Samson CL7 | A large diaphragm studio microphone. The capsule is a 1.1' 3 micron gold-sputtered type and the electronics are FET. Phantom operatio... | |
| Samson CO1U | A version of the CO1 studio microphone fitted with an internal USB port. | |
| Sanken CU-41 | Unidirectional double condenser microphone specially designed for audio recording. | |
| Sennheiser MK4 | The MK 4 is a large-diaphragm true condenser microphone for professional studio recordings. Featuring fine resolution and outstandin... | |
| Shure KSM32 | Side-address cardioid condenser microphone for studio recording and live sound. A large diaphragm Class-A transformerless design.
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| Soundelux E250 | The E250 takes many of the qualities of the Elux 251 and fits them into a microphone that is specifically designed for close use (<... | |
| Soundelux E251C | A cardioid-only version of the Elux251. The response can be switched between 'brite' and 'normal'. The output transformer has been se... | |
| Soundelux ELUX 251 | A multi-pattern tube condenser microphone. | |
| Soundelux R-1 | A high quality large diaphragm FET condenser microphone with a transformerless output. Designed with broadcast speech in mind but equ... | |
| Soundelux U195 | A cardioid FET microphone with extended bass response that can be both boosted and cut from 400Hz down to 10Hz. The capsule is a k67 ... | |
| Soundelux U97 | A transformerless FET condenser microphone offering multi-pattern operation. | |
| Soundelux U99 | The U99 is a large diaphragm multipattern tube microphone featuring continuously variable pattern selection at the power supply. The... | |
| Soundking SKEA006 | A large-diaphragm (1') multi-pattern studio microphone. There are 9 switchable polar responses. | |
| Soundking SKEA008 | A tube (valve) studio microphone with a dual-diaphragm 1' capsule. It has nine switchable polar patterns. | |
| Soundking SKEB001 | A three pattern FET preamplifier microphone for studio use. | |
| Soundking SKEB004 | A single diaphragm FET microphone. | |
| Superlux CM-H8A | A side address cardioid with a 1' capsule. The diaphragm is a 3 micron gold evaporated design, and the electronics are FET with a tra... | |
| Superlux CM-H8B | A 1' capsule fixed pattern condenser microphone. It is ideal for studio recording, broadcast and live sound applications. The preampl... | |
| Superlux CM-H8C | A dual 1' capsule microphone with selectable polar patterns. It can handle high sound pressure levels and has low noise. The micropho... | |
| Superlux ECO-H6A | In inexpensive studio microphone using a back electret capsule. | |