| AKG C 568 EB | High directivity and wide frequency in a relatively short integrated unit make this an ideal microphone for theatre, sound reinforcem... | |
| AKG CK 1 451 | The classic cardioid capsule for the CMS range. The pattern was remarkably consistent across the frequency range. The 1S had a rising... | |
| AKG CK 1 460 | A remote cardioid capsule introduced for use with the C 460 B preamplifier. | |
| AKG CK 61 C460 B | A CMS/ULS series preamplifier (now superseded by the ULS C480B) for use with several CK series capsules. A thread adapter allowed the... | |
| AKG CK 63 C460 B | A CMS/ULS series preamplifier (now superseded by the ULS C480B) for use with several CK series capsules. A thread adapter allowed the... | |
| AKG CK 68 ULS C460B Full | A CMS/ULS series preamplifier (now superseded by the ULS C480B) for use with several CK series capsules. A thread adapter allowed the... | |
| AKG CK 68 ULS C460B Red | A CMS/ULS series preamplifier (now superseded by the ULS C480B) for use with several CK series capsules. A thread adapter allowed the... | |
| AKG CK 8 451 | A short rifle capsule for the C451 or C452 series preamplifiers. The pattern was narrow and highly directional but less extreme than... | |
| AKG CK 8 460 | A short rifle capsule for the C451 or C452 series preamplifiers. The pattern was narrow and highly directional but less extreme than... | |
| AKG CK 91 SE300 B | The flat frequency response and uniform polar pattern of the CK 91 make it ideal for general applications where suppression of off-ax... | |
| AKG CK 92 SE300 B | The CK 92 offers exceptionally neutral presentation of a source in its ambient sound field, providing uniform results regardless of t... | |
| AKG CK 93 SE300 B | Similar to the CK 91, the CK 93 provides additional attenuation of 90 degree off-axis sounds. In addition to a higher ratio of direct... | |
| AKG CK 98 SE300 B | Short, extremely light shotgun capsule for on-location film and video recordings. | |
| Audio-Technica AT 4021 | Ideal for critical studio and live applications, the low-profile AT4021 offers a flat, extended frequency response, high maximum SPL ... | |
| Audio-Technica AT 4071a (BP4071) | For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. | |
| Audio-Technica AT 4071AL | For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. | |
| Audio-Technica AT 4073a (BP4073) | For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. | |
| Audio-Technica AT 815b (AT8015) | http://www.microphone-data.com/microphones/at815b/
(free registration required) | |
| Audio-Technica AT 835b (AT8035) | For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. | |
| Audio-Technica AT 875 (AT875R) | For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. | |
| Audio-Technica AT 877 | For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/. | |
| Audio-Technica AT 897 | Specifically designed for video production and broadcast audio. It has a short body to allow it to be used on compact cameras. When p... | |
| Audio-Technica ATM 33a | Ideal for acoustic guitar, percussion, overheads, vocals and more, the ATM33a excels in both studio and stage applications. It offers... | |
| Audio-Technica ATR 55 | The ATR55 offers intelligible reproduction for close-, medium-, and long-distance pickup. In its “Tele” range setting, th... | |
| Azden SG(M)-2X (Cardiod) | A shotgun microphone with an extendable barrel. It has an integral hotshoe/mic stand shock-mount and uses a AAA battery for power. In... | |
| Azden SGM-1X | A short shotgun microphone with an integral hotshoe/mic stand mount. It can be used directly on cameras or in conjunction with a wire... | |
| BeyerDynamic M 160 | Double ribbon dynamic microphone with unique acoustic characteristics, especially suitable for use when recording digitally. | |
| BeyerDynamic M 201 | A very sensitive dynamic microphone with an integral humbucking transformer to eliminate mains-borne interference when working near c... | |
| BeyerDynamic M 69 | Rugged microphone for lead vocals and instrumentation. Excellent off-axis rejection. | |
| BeyerDynamic M 88 | Outstandingly sensitive dynamic microphone that gives superb response characteristics for vocals and high SPL instruments such as kic... | |
| BeyerDynamic MC 713 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 716 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 717 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 718 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 723 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 726 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 727 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 728 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 736 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 737 | For more information on this specific microphone, go to the BeyerDynamic website at http://europe.beyerdynamic.com. | |
| BeyerDynamic MC 836 | Short shotgun microphone with low frequency roll-off switch. | |
| BeyerDynamic MC 837 | Long shotgun microphone with switchable high-pass filter. | |
| BeyerDynamic MCE 86 N (C) S | The MCE 86 II replaces the earlier MCE 86/87 as a short rifle microphone for camera and general use. The construction and integral fi... | |
| BeyerDynamic MCE 87vs | Short shotgun microphone for use with semi-professional and domestic camcorder systems. MCE87 has internal battery powering and simi... | |
| ClockAudio C850E | A short shotgun microphone intended for broadcast, film or theatre use. | |
| DPA 4006 | The 4006 is phantom powered, which, together with its extended range of acoustic pressure equalisers and different protection grids, ... | |
| DPA 4011 | After its release in 1989 the 4011 immediately won a TEC Award for technical excellence. It is a condenser microphone with totally fl... | |
| DPA 4041-S | The 4041-S is an omnidirectional microphone that uses the 24mm (1') MMC4041 modular microphone cartridge with the totally transparent... | |
| DPA 4041-SP | The Type 4041-SP is designed to work in a standard 48V phantom power environment. Since the capsule is the same as for the high volta... | |
| Neumann KM 180 | Description. | |
| Neumann KM 180 Series | For more information on this specific microphone, go to Neumanns website at http://neumannusa.com. | |
| Neumann KM 185 | The Series 180 consists of three compact microphones (KM 183, 184, and 185) with patterns that satisfy the demands of all common stud... | |
| Neumann KM100F | For more information on this specific microphone, go to Neumanns website at http://neumannusa.com. | |
| Neumann KMR 81i | The KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of frequency. The adv... | |
| Neumann KMR 82 | The KMR 82 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of frequency. The adv... | |
| RODE NTG-1 | A lightweight shotgun condenser microphone for general film and TV use. The output is electronically balanced and uses low-noise surf... | |
| Sanken CS 1 | The CS-1 is a short rifle microphone intended for film and TV but likely to find uses elsewhere too. The microphone is exceptionally ... | |
| Sanken CS 2 | Long Distance Shotgun Pickup with a Rich, Natural Tone 120mm long acoustic tube in a standard 250 mm length / 19mm diameter body, wit... | |
| Sanken CS 3 | Short shotgun condenser microphone featuring three directional capsules arranged in a front/back array, to combine line microphone pe... | |
| Schoeps CMC Series (With Cut 1) | The capsules of condenser microphones (the only type which SCHOEPS manufactures) can't be connected directly to microphone cables or ... | |
| Schoeps SuperCMIT | A new type of digital shotgun microphone with increased directivity, based on SCHOEPS' extremely successful analog model CMIT 5. Diff... | |
| Sennheiser ME 62 K6 | The ME 62 is designed for use with the K6 and K6P powering modules. It can be used for reporting, discussions and interviews, and is ... | |
| Sennheiser ME 67 K6 | Long shotgun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used w... | |
| Sennheiser ME 80 K3U | A short-shotgun capsule for use with various K-series power modules - measurements given with the K3U. [The K3U (XLR) or K3N (Tuchel)... | |
| Sennheiser MKH 20 | An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully-floating balanced output, switched pre-attenu... | |
| Sennheiser MKH 70 | An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully floating balanced output and switchable pre-a... | |
| Sennheiser MKH 816 | A transformerless RF condenser microphone with a very narrow response pattern. Below 500Hz the pattern is hypercardioid, becoming mor... | |
| Shure SM 81 | The SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement.... | |
| Shure SM 89 | The SM89 is a highly directional condenser shotgun microphone, with characteristics that make it especially suitable for the distant ... | |
| Shure VP82 | Compact and lightweight, with wide aperture and excellent off-axis rejection, the VP82 is the affordable and reliable choice for came... | |
| Shure VP89L | The VP89 is a professional shotgun condenser microphone for use in critical broadcast and media production applications. Designed wit... | |
| Shure VP89M | The VP89 is a professional shotgun condenser microphone for use in critical broadcast and media production applications. Designed wit... | |
| Shure VP89S | The VP89 is a professional shotgun condenser microphone for use in critical broadcast and media production applications. Designed wit... | |
| Sony C74 | Supercardioid shotgun condenser microphone with two position low-cut switch. It is an RF condenser design for low noise. | |
| Sony ECM 670 | A supercardioid short rifle electret condenser microphone. It has a low-cut filter to reduce ambient noise. It is suitable for mounti... | |
| Sony ECM 672 | A supercardioid short-rifle electret condenser microphone. It has a two position low-cut filter and battery status indication. It is ... | |
| Sony ECM 673 | The Sony ECM-673is a short shotgun, electret condenser-type microphone which delivers excellent sound performance in field and studio... | |
| Sony ECM 674 | An affordable electret shotgun microphone. It is suited to location acquisition work and particularly for use with camcorders. Power... | |
| Sony ECM 678 | The ECM-678 is a short shotgun, electret condenser-type microphone for field production and broadcast studio applications. It is also... | |