SKU RYC041118

InVision INV 7HG MkIII

SKU RYC041118
  • Virtually indestructible
  • Offers much improved isolation from camera noise
  • No elasticated parts — never sags or needs rethreading
Description
Part of the larger InVision range of noise-reducing microphone shock-mounts, Rycote's InVision Broadcast, are designed for discreet, low-profile on-camera use in broadcast studio environments where windshielding is not required.

The InVision Broadcast mounts feature Rycote's latest Lyre suspension systems to offer broadcast professionals the cleanest possible sound, free from unwanted cable or stand-borne noise. They may be used with microphones mounted on desks, stands or boom poles, or suspended mics.
Warranty

Warranty Rycote

The Rycote European Warranty offers 24-month coverage for Rycote products purchased within the European Union, Iceland, Norway, Switzerland, and Turkey.

MANUFACTURER’S LIMITED WARRANTY
Rycote Microphone Windshields Ltd (“Rycote”) warrants to purchasers of Rycote manufactured products (“Products”) within the European Union, Iceland, Norway, Switzerland and Turkey (“Purchasers” or a “Purchaser” as the context may require) that during the warranty period (as defined below), Rycote or a Rycote authorised distributor will, in a commercially reasonable time, remedy defects in materials, design and workmanship in Products free of charge by repairing or, should Rycote in its discretion deem it necessary, replacing the Product in accordance with this Warranty (unless otherwise required by law). This Warranty is only valid and enforceable in the country where the Purchaser has purchased the Product provided that Rycote has intended the Product for sale in that country. However, if the Purchaser purchased the Product in a member state of the European Union, Iceland, Norway, Switzerland or Turkey and Rycote originally intended the Product for sale in one of those countries, this Warranty is valid and enforceable in all of those above listed countries.

WARRANTY PERIOD
The warranty period starts on the date of the Product’s original purchase by the first end-user Purchaser and expires twenty four months after that date (hereinafter the “Warranty Period”). The Warranty Period will not be extended or renewed or otherwise affected due to subsequent resale, Rycote authorised repair or replacement of the Product.

HOW TO GET WARRANTY SERVICE
If a Purchaser wishes to make a claim under this Warranty, the Product or the affected part (if it is not the entire Product) should be returned to a Rycote authorised distributor. Contact Rycote on sales@rycote.com for further details on how to make a claim. Information concerning Rycote distributors can be found on the Rycote website. Any claim under this Warranty is subject to the Purchaser notifying Rycote or a Rycote authorised distributor of the alleged defect within a reasonable time of it having come to the attention of the Purchaser and in any event no later than expiry of the Warranty Period. When making a claim under this Warranty, the Purchaser will be required to provide: a) the Product (or the affected part) and b) the original proof of purchase, which clearly indicates the name and address of the seller, the date and place of purchase & the Product type.

WHAT IS NOT COVERED?
This Warranty does not cover a) normal wear and tear, b) defects caused by rough handling (including, without limitation, defects caused by sharp items, by bending, compressing or dropping, etc.), or c) defects or damage caused by misuse of the Product, including use that is contrary to the instructions provided by Rycote (e.g. as set out in the Product’s user guide) and/or e) other acts beyond the reasonable control of Rycote. This Warranty does not cover defects or alleged defects caused by the fact that the Product was used with otherwise than for its intended use. This Warranty is not enforceable if the Product has been modified or repaired by anyone other than a Rycote authorised distributor or if it is repaired using unauthorised spare parts (to be determined in the sole discretion of Rycote). This Warranty is not enforceable if the Product has been exposed to moisture, to dampness or to extreme thermal or environmental conditions or to rapid changes in such conditions; to corrosion, to spillage of food or liquid or to influence from chemical products.

OTHER IMPORTANT NOTICES
If the Product is found not to be covered by the terms and conditions of this Warranty, Rycote and its authorised distributors reserve the right to charge a handling fee. When repairing or replacing the Product, Rycote may use products or parts that are new, equivalent to new or re-conditioned.

LIMITATION OF RYCOTE’S LIABILITY
This Warranty replaces all other Rycote warranties and liabilities, whether oral, written, (non-mandatory) statutory, contractual, in tort or otherwise, including, without limitation, and where permitted by applicable law, any implied conditions, warranties or other terms as to satisfactory quality or fitness for purpose. However, this Warranty shall neither exclude nor limit i) any of your legal (statutory) rights under applicable national laws or ii) any of your rights against the seller of the Product. To the extent permitted by applicable law(s), Rycote does not assume any liability for any loss of profit, loss of use of Products or functionality, loss of business, loss of contracts, loss of revenues or loss of anticipated savings, increased costs or expenses or for any indirect loss or damage, consequential loss or damage or special loss or damage. To the extent permitted by applicable law, Rycote’s liability shall be limited to the purchase value of the Product. The above limitations shall not apply in case of gross negligence or intentional misconduct of Rycote or in case of death or personal injury resulting from Rycote’s negligence.

Device Compatibility

  1. neumann KMR 81i
    The KMR 81 is a shotgun microphone with a high directivity that remains within the acceptance angle independent of frequency. The advantage is that a sound source, for example, an actor on stage - will not change its apparent tonal balance when moving within this area. The KMR 81 has been specifically designed for electronic news gathering.
  2. shure VP89S
    The VP89 is a professional shotgun condenser microphone for use in critical broadcast and media production applications. Designed with interchangeable long, medium, and short capsules, the VP89 models provide scalable, superior off-axis rejection for focus and flexibility in a wide variety of on-site locations.
  3. røde NTG-1
    A lightweight shotgun condenser microphone for general film and TV use. The output is electronically balanced and uses low-noise surface-mount components. It is extremely lightweight and has both a wide bandwidth and a controlled polar response.
  4. sennheiser MKH 20
    An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully-floating balanced output, switched pre-attenuation and diffuse-field correction.
  5. schoeps CMC Series (With Cut 1)
    The capsules of condenser microphones (the only type which SCHOEPS manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.

    The CMC 6 Ug is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognises the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.


  6. sennheiser ME 62 K6
    The ME 62 is designed for use with the K6 and K6P powering modules. It can be used for reporting, discussions and interviews, and is particularly suitable for good reproduction of 'room' ambience and 'spaced omni' stereo recording. It has a matte black, anodised, scratch resistant finish. Length shown is for head only.
  7. sennheiser MKH 418
    The MKH 418 S is an MS stereo microphone. Its high degree of directivity makes the MKH 418 S the ideal choice for stereophonic recordings for reporting, film and television applications. It has two independent acoustic systems for generating the mid and side signals. The mid signal (M) is generated by a shotgun microphone system (based on the legendary MKH 416). At high frequencies, this results in a lobar pick-up pattern, whereas at low frequencies there is a transition to a super-cardioid characteristic. The side signal (S) is produced by a figure-of-eight capsule, whose positive side is directed to the left. The M and S signals are available independently at the microphone output. The S capsule sensitivity is 10mV/Pa and the self-noise is 22dBA.
  8. sony ECM 673
    The Sony ECM-673is a short shotgun, electret condenser-type microphone which delivers excellent sound performance in field and studio production applications at an affordable price. Optimised for use with Sony compact camcorders such as the HDV Series and DVCAM Series, the ECM-673 offers high-sensitivity, low-noise characteristics and a flat-and-wide frequency response in a compact and lightweight body. In addition, its highly directional response and extreme durability allow clear voice pickup, even in harsh operational environments. With its high performance, compact design and high durability, the ECM-673 microphone is an ideal choice for quality-critical sound-acquisition applications.
  9. neumann KM 180 Series
    For more information on this specific microphone, go to Neumanns website at http://neumannusa.com.
  10. sony ECM 674
    An affordable electret shotgun microphone. It is suited to location acquisition work and particularly for use with camcorders. Powering is either by phantom or internal AA battery. On battery power Max SPL is reduced to 115dB. A special circuit can detect the battery voltage and shuts off all power below a threshold to prevent over-discharge and possible cell leakage.
  11. audiotechnica ATR 6550
    Crisp & intelligible pickup-far away or up close. In its “Tele” range setting, this cardioid condenser is engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, air-handling systems, room reverberation and mechanically coupled vibrations. Designed especially for use with video cameras. 3.5 mm connector plugs into your video camera
  12. sennheiser MKH 30
    An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully-floating balanced output. Switchable pre-attenuation and proximity effect roll-off filter are provided. The MKH30 is widely used for the S component of an MS pair both in studio and location conditions. The low-impedance capsule design makes it virtually immune to high humidity and condensation. (Rycote accessory listing is for MS stereo pairing with MKH40 or 50)
  13. neumann KM 185
    The Series 180 consists of three compact microphones (KM 183, 184, and 185) with patterns that satisfy the demands of all common studio applications. Because of its optimised mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the Series 180 is ideal for economy-minded production and home recording studios. The KM185 pressure gradient transducer features a very smooth frequency response, not only for the 0° axis, but also for lateral (off-axis) sound incidence.
  14. audiotechnica AT 8022 (BP 4025)
    Ideal for video camera-mount use, stereo field recording, interviews and home recording, Audio-Technica's versatile AT8022 stereo condenser offers a compact housing and the pristine sound quality of a live sound field. Its coincident capsule configuration produces an X/Y stereo image in a small housing. The microphone is supplied with two cables for use with either pro or consumer gear. It offers switchable low-frequency roll-off and the convenience of battery or phantom power. The microphone is fully RoHS-compliant and free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).
  15. sony ECM 670
    A supercardioid short rifle electret condenser microphone. It has a low-cut filter to reduce ambient noise. It is suitable for mounting on Sony cameras and camcorders.
  16. sanken CMS 9
    The Sanken CMS-9 is a lightweight MS stereo condenser microphone ideal for all studio and field recording applications. It outputs L-R stereo signals, connects directly to a field recorder, and mounts to any standard 19mm diameter handgrip. Two capsules are incorporated into the CMS-9: a mid-mic with a unidirectional cardioid polar pattern, and a coincidentally mounted side-mic with a figure-of-8 pattern.
  17. sony ECM 678
    The ECM-678 is a short shotgun, electret condenser-type microphone for field production and broadcast studio applications. It is also intended for use on professional camcorders such as the HDV Series, DVCAM Series, and XDCAM Series. A built-in low-cut filter switch helps to reduce unwanted pop and wind noise encountered in the field.
  18. shure VP82
    Compact and lightweight, with wide aperture and excellent off-axis rejection, the VP82 is the affordable and reliable choice for camera-mounted A / V media production applications. For use in sound capture and sound reinforcement.
  19. sennheiser ME 64 K6
    Cardioid microphone head designed for use with the K6 and K6P powering modules. It has a very wide range of applications, including reporting, interviews, dubbing, live sound reinforcement and recording. Matt black, anodised, scratch resistant finish. Length shown is for head only.
  20. audiotechnica AT 835ST (BP4029)
    For more information on this specific microphone, go to Audio-Technicas website at http://www.audio-technica.com/world_map/.

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