Shotgun Mic
Directional slim body microphones with an interference tube.

Small Diaphragm Condenser
Directional, bi-directional and omnidirectional slim body microphones.

Large Studio Mic
Large diaphragm condensers, tube and ribbon mics of diameter up to 68mm.

Stereo Mic
Single body stereo shotgun microphones.

Stereo Combinations
M/S and X/Y stereo arrays, with more than one microphone.

Handheld/Reporter Mic
Handheld microphones used in interviews.

Camera HotShoe Mic
Microphones with built-in flash shoe, designed specifically to mount directly on a camera.

Shotgun Mic
Directional slim body microphones with an interference tube.

Small Diaphragm Condenser
Directional, bi-directional and omnidirectional slim body microphones.

Large Studio Mic
Large diaphragm condensers, tube and ribbon mics of diameter up to 68mm.

Stereo Mic
Single body stereo shotgun microphones.

Lavalier
Tiny microphones that can be hidden or attached to clothing.

Stereo Combinations
M/S and X/Y stereo arrays, with more than one microphone.

Handheld/Reporter Mic
Handheld microphones used in interviews.

Portable Recorder
Battery-powered devices that are capable of recording audio digitally.

Camcorder/HDSLR
Microphones that are either built-in, supplied or attached to HDSLR cameras or video camcorders.

Camera HotShoe Mic
Microphones with built-in flash shoe, designed specifically to mount directly on a camera.

Smart Phone/Tablet
The Smartphone and Tablet are powerful, convenient and multi-purpose.

Surround Microphone
Covering sound sources above and below the listener.

Page

147 Products

  1. AKG C422/C522 (Single Shank)
    akg C422/C522 (Single Shank)
    For more information on this specific microphone, go to the AKG website at http://uk.akg.com/akg-homepage-uk.html
  2. Audio-Technica AE 2500-d
    audiotechnica AE 2500-c
    A revolutionary dual-element design with dynamic and back-electret condenser elements fitted into a single housing. Designed with kick drums in mind the elements are positioned in a perfect phase relationship, the dynamic delivering the aggressive attack and the condenser capturing the tonalities of the shell.

    The outputs are not combined and are available individually on an XLR-5M.The pad and HPF operate only on the condenser element. Specifications shown are for the condenser element - see AE2500-d for the dynamic capsule spec.
  3. Audio-Technica AT 3035
    audiotechnica AT 3035
    A condenser microphone with a large diaphragm (26 mm) for exceptional detail and low noise. It has high max SPL, wide dynamic range and an optimised output level to provide unmatched versatility. The low self-noise makes it perfectly suited for today's most sophisticated digital recording equipment. It has extended low-frequency response and a custom shock mount for superior isolation.
  4. Audio-Technica AT 3060
    audiotechnica AT 3060
    A large-diaphragm tube design that does not need a dedicated power supply - it operates from 48V phantom power. The cardioid back-electret condenser element provides high sensitivity and smooth reproduction with low noise levels. The tube is hand-selected and shock-mounted, and the precision-machined, nickel-plated brass acoustic element baffle provides enhanced element stability. A large coupling transformer provides superior low-frequency linearity.
  5. Audio-Technica AT 3525
    audiotechnica AT 3525
    The AT3525 offers outstanding performance and versatility, a flat frequency response, and high SPL handling capability. It features a switchable 80Hz high-pass filter and 10dB pad, and includes a multi-position shock-mount.
  6. Audio-Technica AT 4047/SV
    audiotechnica AT 4047/SV
    Designed for professional recording and critical applications in broadcast and live sound, the AT4047/SV has a transformer-coupled output and specially-tuned element, which provide sonic characteristics reminiscent of early FET studio microphone designs. It offers exceptionally low self-noise, wide dynamic range and high SPL capability, and has gold-plated, specially-contoured and aged, dual-diaphragms.

    Switchable 80Hz hi-pass filter and 10dB pad.
  7. Audio-Technica AT 8022 (BP 4025)
    audiotechnica AT 8022 (BP 4025)
    Ideal for video camera-mount use, stereo field recording, interviews and home recording, Audio-Technica's versatile AT8022 stereo condenser offers a compact housing and the pristine sound quality of a live sound field. Its coincident capsule configuration produces an X/Y stereo image in a small housing. The microphone is supplied with two cables for use with either pro or consumer gear. It offers switchable low-frequency roll-off and the convenience of battery or phantom power. The microphone is fully RoHS-compliant and free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).
  8. Audio-Technica
    audiotechnica ATM 10a
    Ideal for group vocals, strings, cymbal overheads, acoustic guitar and piano, the omni pattern provides maximum ambient pickup. This mic offers extremely smooth, extended response on- and off-axis, with low sensitivity to popping and overload. Also named AT8010.
  9. Audio-Technica ATM 250
    audiotechnica ATM 250
    A single capsule kick drum microphone using a dynamic element and capable of handling very high SPLs. The capsule uses a neodymium magnet assembly for high output and has good off-axis rejection.
  10. Audio-Technica ATM 450
    audiotechnica ATM 450
    A side-address small-diaphragm design intended to solve many microphone placement problems, particularly with acoustic instruments. The capsule is a fixed backplate electret design. The design has an extended frequency response and very high SPL capability. The body is all-metal to provide a rugged microphone for heavy stage use.
  11. Audio-Technica ES 973
    audiotechnica ES 973
    A neat condenser microphone which can be used handheld or on a stand. Supplied as a hypercardioid it can also be fitted with AT853 series capsules that have wider pick-up angles.
  12. Audio-Technica PRO37
    audiotechnica PRO37
    The PRO 37R provides professional accuracy for studio recording and is ideal for acoustic guitar, overheads, reeds, brass, piano and more. Its low-mass element provides superb transient response and it delivers undistorted output even when used close to high-SPL instruments. It offers an extremely uniform cardioid polar pattern and extended response.